10 Scariest Horror Movie Masks Guaranteed To Give You Nightmares

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Horror movies over the years haven’t had their shortage of nightmare-inducing images. One of the most popular ideas is to have a murderous psychopath terrorizing an innocent while donning a super scary mask. It’s a popular idea because pretty much everyone can get creeped out by it! Let’s take a look back at some of the scariest masks we’ve seen on our screens.

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7 Vintage Horror Movies Every True Horror Fan Must See

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If you’re going to call yourself a horror fan, then you’ve got to embrace every decade that horror has to offer. Some films age like a fine wine; sometimes I pick up a ’30s horror film DVD, shake it around and hold it under my nose to smell the oaky freshness.

There are some people who refuse to watch a film if it’s in black-and-white, and I find this baffling. Colour isn’t the essential ingredient for a good film! The most important elements are a good plot, innovative directing and compelling acting.

The following classic horror films have all of those ingredients and more. They’ve stood the test of time and are essential viewing for any self-respecting film fanatic. There are at least 10 more I could’ve added, but I finally whittled it down to these diverse slices of golden age horror. These aren’t in any order, as all are equally worth seeing for one reason or another, so take my hand as I lead you down the pavement of horror history.

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https://moviepilot.com/p/best-vintage-horror-movies/4139457

Inside Out (2015)

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Director: Pete Docter, Ronaldo Del Carmen

Stars: Amy Poehler, Bill Hader, Lewis Black, Kyle MacLachlan

Thoughtful animated classic

Pixar might’ve gone through a rare dip in quality when they went onto making stuff that was aimed specifically at children like Cars 2 and Brave. They started clawing their way back up to greatness when Monsters University launched last year, a film which I still think is somewhat underrated with its gorgeous creative visuals and fantastic characters. Inside Out sees Pixar pick up their crown again and reign supreme as the queen of animated films.

It’s an instant classic which ranks up the very best Pixar has to offer. I’d argue that it’s the best film they’ve done since Toy Story 3 and the best of the year so far, outdoing the likes of Mad Max 4 and Whiplash. But that’s no surprise considering that Pete Docter is behind the camera and paper again. It’s a complex and ingenious premise which personifies emotions we all carry in our heads. Each emotion in Riley’s head manages to be funny, likeable and relevant to the story. I particularly liked Sadness and Anger. I’m not quite sure what that says about me.

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It’s Joy at the controls though and she’s one of those annoyingly positive people who manages to see the good in absolutely everything. If someone shot her in the head, she’d probably congratulate them on the excellent pot-shot. Entertainingly for us though, she goes off on an extreme character-building lesson which sees her lost in the abyss of Riley’s long-term memory along with her least favourite emotion, Sadness. Sadness is an adorable blue blob who is clumsy and well-meaning but permanently depressed. Whilst Joy and Sadness are away, leaving Anger, Disgust and Fear at the controls, eleven year-old Riley goes through a massive breakdown.

The film does a fantastic job of setting up a potentially confusing premise in a fun and simplistic way. The first act is basically all exposition which sets everything up and suitably engages the audience. It reminded me of the scene in Inception where Leo explains the dream world concept to Ellen Page. I know exposition can irritate a lot of people, but in high concept films like this I think it’s pretty essential, otherwise we’d be sat their open-mouthed and dead behind the eyes like watching Upstream Colour.

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The editing is absolutely wonderful as it manages to balance three stories which are all connected to one another in a masterful way. The main story concerns Joy and Sadness on their exceptionally entertaining Finding Nemo-style adventures, the other two secondary stories (although still no less critical to the plot) involve the other emotions in the control tower and Riley suffering a mental breakdown out in the real world.

The entire film not only works as a fantastic story on its own, but also as an analogy for mental breakdowns in general. Now whenever I feel unhappy randomly I’ll know that it’s because Joy has left my control room, or that Sadness has accidently touched a memory. It’s also a brilliant way of letting kids know that it’s OK to be sad and it’s perfectly normal to feel angry. There are a whole load of deeper meanings and gags that are likely to go over the heads of children, but everyone else will be sure to appreciate them. Kids will definitely be able to appreciate the highly creative visuals and lovable characters.

All Pixar films are eye-popping, but Inside Out is particularly incredible. There’s no end of bright, creative and trippy visuals which very much reminded me of my favourite Pixar film, Up. It all has substance too though and is relevant to the plot. There’s a wonderful sequence where the characters enter Dream Productions and we see how our dreams are really made. Not only is it side-splittingly hilarious, it’s clever, high-concept and beautiful to look at.

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There are also quite a few genuinely emotional moments. I’m not one to get teary in films, but there’s one scene involving a gorgeous character called Bing Bong which really made me well up. It isn’t your average light and fluffy, happy-clappy kiddy film. It goes to deeper and darker places and pulls at your heart strings. Watching a little girl go through a spat of depression is not cheery viewing! There is of course an inevitable happy ending and it’s all the more heart-warming because of the darker scenes that preceded it.

In short, Inside Out is an animated masterpiece. I cannot for the life of me think of any faults, apart from that it went by far too quickly. It has everything you need in a film. It’s funny, emotional, creative, original, intelligent, deep and thoughtful. It’s full of memorable and likable characters whom you’ll go away remembering. It’s a film for any age so if you’re one of these “Ooh animation’s for kids innit” type people I’d urge you to drop any plans you have for the weekend and go and see this with all your adult/teenage friends.

Pixar is incredibly popular and so you’ll be bound to find people on the internet bashing it like they do Christopher Nolan films and anything else that is popular so don’t listen to them. It’s a towering achievement and a return to form. It’s their first original non-sequel since Brave in 2012 and it’s well worth the wait. They’ve expressed disinterest in a sequel to Inside Out, but I’d love to see all these fantastic characters return.

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2001: A Space Odyssey (1968) [The Yellow Kubrick Road]

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Director: Stanley Kubrick

Stars: Kier Dullea, Gary Lockwood, William Sylvester

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Last night I saw 2001: A Space Odyssey for the very first time. I don’t know what has put me off seeking it out for all these years. Perhaps it’s because I’m not a big sci-fi fan, however I am a Stanley Kubrick fan. I particularly adore The Shining and love the way Stanley Kubrick soaks up a hypnotic atmosphere so that the film becomes an experience. After seeing some clips on the strange documentary, Room 237, I thought that the film looked right up my alley! I’ve also heard nothing but hype for years with people calling it one of the greatest films ever made, so I was extremely excited when I sat down to watch it.

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Unfortunately watching it, for me, was a little bit like sex. You want the first time to be the best, but in honesty, the more you do it, the better it gets. I had a banging headache throughout the first half and so really could not appreciate the loud music and atonal sounds because it was just so painful! Halfway through, I had to leave and get myself a Tesco headache pill and towards the end of the film it did go away. I also left to go to the loo about three times, as I had a lot of coffee to drink so that I’d have the stamina to stay up and also to sober myself up.

Why am I telling you this? Well, I don’t know. I think to get the full 2001 effect, you need to completely immerse yourself in it, but I struggled to do this. However, that doesn’t mean that I didn’t appreciate what I saw. In fact, I’m pretty sure that what I saw was an absolute masterpiece. I was completely sucked in, right from the beginning where sinister music played for about five minutes over a blank screen. It’s such an unusual way to open, hinting that the film you’re about to see isn’t your usual rip-roaring science fiction adventure. We then get that glorious famous music with a beautiful image of a sun rising over the Earth. It’s an amazing title sequence which made the hairs on my neck stand on end.

I think it’s a stroke of genius having the first scene, in a film which is largely set in the future, be set at the beginning of time itself. It must have been so jarring for audiences in 1968, of course everyone knows that the film starts with the monkeys now because it’s so widely talked about. Speaking of the year in which it came out, I cannot believe that this film was made in the 60’s! I saw it in blu-ray and it looked like a film which had came out last week. It’s easy to see why it so disliked when it first came out, because it’s just so ahead of its time. Although, some of the monkey suits did look a bit naff!

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We’re then thrown into the year 2001, where (apparently) space travel is an everyday thing and stewardesses wear bright pink clothes complete with a strange bubble hat. To be quite honest with you, the remainder of the film is very difficult to put into words. It’s pure art in the form of film. It’s a rarity these days, however people like David Lynch and Nicolas Winding Refn are striving to keep it alive. There are long sequences of spaceships flying overhead to classical music and people walking slowly upside down. It all creates a certain feeling and experience which you have to see for yourself.

2001: A Space Odyssey doesn’t really have much of a plot. Astronauts find a strange giant tablet on the moon, and then some more astronauts go on a mission which I don’t entirely understand the purpose of, with a creepy robot called, HAL, which is of course now an iconic character. It’s strange because a lot of the film is incredibly slow and, dare I say it, boring. But there’s something about it which keeps you interested and locked to the screen. Scenes which would last five minutes in an ordinary Hollywood film, last up to half an hour here and it does create a unique and immersive experience which stays on your subconscious for a while.

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A lot of the film is very haunting. The choral chants whenever the strange black tablet appeared created a wonderful atmosphere of mystery and impending doom. I also found the scene where HAL sings, very creepy. Of course, the most talked about scene is the Lynchian finale where we’re plunged into a psychedelic and hypnotic fantasy world. The final scene makes absolutely no sense, but it most definitely haunts you. I couldn’t help but have chills all the way up my spine when the music plays and the baby looks right towards you. It’s scary and very powerful.

I think subsequent viewings are going to make 2001 a definite favourite of mine. It’s unlike anything I’ve ever seen before. After seeing this now, I find it strange how people are comparing it to Interstellar. Interstellar is a somewhat conventional and fast-paced sci-fi adventure, albeit an absolutely astounding one! Whereas, 2001: A Space Odyssey is a slow art film. They’re impossible to compare! Both of them are masterpieces in their own right though. It’s a film which will definitely stay with me, and I look forward to plunging myself into its world again.

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