Director: Michael Goi
Stars: Amber Perkins, Rachel Quinn, Dean Waite
Megan isn’t the only thing that’s missing
Every self-respecting weird person who’s looking to get disturbed has heard of Megan Is Missing. The only reason I sought out the film is because I’d read how so many people find it horrendously disturbing. If you hop on to the IMDb message boards (always a good place to find opinions by level-headed people) then you’ll find a lot of posts by self-confessed horror movie addicts saying how they found the last twenty minutes of Megan Is Missing to be the most haunting thing they’ve ever seen in a horror film which is quite a big statement! I’m also one of those people who don’t really find many films disturbing. The Human Centipede 2 didn’t particularly bother me and I managed to watch Salo alone in the dark pretty comfortably (ish) so I’m always on the lookout for films that might actually give me sleepless nights.
Megan Is Missing is atrocious. Let’s get that out the way first, it is absolutely embarrassingly bad. As soon as it started my eyes widened in terror at the beyond horrendous acting from the two main characters in the film, Megan and Amy. Both of them can’t act for a toffee apple and that’s being kind about them! Megan’s wooden bedpost is probably the best actor in the whole film and steals the show. Although, let’s face it there really isn’t much of a show to steal. It presents itself as a true story, but this is impossible to take seriously thanks to the stilted acting and forced chemistry between Megan and Amy.
As soon as the film starts we’re treated to dialogue from Amy which goes something like, “We’re filming on my expensive new video camera, Daddy loves me.” To which Megan replies, “My Daddy loves me too, slut” and we get a painfully wooden, “Bitch!” Back from Amy. Such Shakespearean dialogue continues throughout the film and it’s probably supposed to sound like natural 14 year-old girl banter, but the actors deliver their lines like their reading them from the cameraman holding up a cardboard sign. It’s just a total cringe-fest and the characters couldn’t get any more stereotypical or two dimensional. We’ve got Megan the confident, popular school bike and Amy the unpopular, angelic prude.
There is an attempt to build up characters but it just ends up resulting in ridiculous clichés. At one point I even predicted in my head exactly what Megan was going to say as she breaks down awkwardly on camera about her dysfunctional upbringing. We also get treated to a needlessly long monologue from Megan about her first sexual experience which just ends up sounding like dialogue from a porn film. I also liked the director’s idea of a teen house party complete with torch lights and girls randomly jumping up and down going “woo!”
It’s a found footage film so it’s essential for it to have a realistic atmosphere, which it fails at miserably. It does make for unintentionally hilarious viewing though. It’s about a girl talking to a randomer over the Internet and ending up missing (surprise, surprise) but the film is extremely heavy-handed with these themes. It almost feels like a student film at times, especially when they try to create news footage. I actually laughed out loud at one point where they do a re-construction of the kidnapping. I also loved the part where the newsreader teases the next story about a cocker spaniel driving a car through a shop window! I’m not kidding, the filmmakers should’ve made a film based on that idea.
Basically, the first hour of Megan Is Missing is an hilarious example of how not to make a film. But then the next 20 minutes arrive and everything changes. It’s difficult to talk about the last 20 minutes without giving away big plot twists, but I can say that it did actually disturb me. The acting gets a little more convincing (big stress on ‘little’) and the film becomes relentlessly terrifying. The unintentional funniness disappears and we’re presented with a genuinely chilling atmosphere of horror and a sobering sense of realism. Some people say that it’s like some sort of indulgent fetish thing for the director but I think it’s actually done in a way that’s not too exploitative or gratuitous. It’s actually a well-made bit of harrowing horror.
So, Megan Is Missing is a film of two halves and both halves are horrendous for different reasons. The first three quarters have no redeeming qualities, whereas the last quarter has the power to genuinely shock and unsettle without over-stepping the mark or trying to be nasty for the sake of it. It’s a difficult film to recommend, but if you know what you’re getting in to and are a hardened horror fan then it’s definitely worth one watch. Most of it is total rubbish but in the end it presented some truly frightening ideas which did haunt me and will probably continue to haunt me for some time. So that has got to be worth something, hasn’t it?